Showing posts with label 1920's hairstyles. Show all posts
Showing posts with label 1920's hairstyles. Show all posts

The Artist - The People behind the Hairstyles and Make-up

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Glamourdaze has already written in-depth posts on 1920's Make-up and 1920's Hairstyles, and we were delighted that Julie Hewett - the Make-up Designer for The Artist has agreed to be interviewed by Glamourdaze . More on that soon. In the meantime we'll take a quick look at her work on this amazing film.
To achieve a genuine and convincing make-up look for the 1920's era, Hewett had prepared by studying old black and white films. Interestingly, during shoots the monitors on set were in black and white which helped her perfect the luminescent looks of her stars.

Instead of pale makeup - which one would have presumed, Hewett kept the skin tones warm. Clearly an experimental process, she strove to achieve a natural look for the women. Peppy Millers lipstick had to appear to have shade and color - as opposed to being black."Your eye tells you to put a certain shade on, but you have to do what works for the black-and-white translation.” she said. Julie also has her own line of make-up available from her website Julie Hewett.net



Peppy Millers hairstyles created by Cydney Cornell, again was an experimental process, running several tests of famous silent divas, such as Louise Brooks and Joan Crawford. As it turned out Cornell said “Her hair was a combination of everyone because we were working with a particular actress and we were going for authenticity!"


Quotes from Below the Line - recent interviews with two key members of The Artist crew - make-up artist Julie Hewett and hair stylist Cydney Cornell.


The Artist - A tribute to the real silent screen divas




To achieve the genuine 1920's Flapper Look, visit Vintage Make-up Guide, where you can download beautifully restored beauty guides from that era.

1920's Women in Colour - Beautiful

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Not very often does one come across color imagery of women's fashion and dress looks from the 1920's, but the National Geographic Stock Online have some stunning color photographs for sale of late 1920s women from different parts of the world - all taken around the same time period.
Feast your eyes on these examples.

1920's woman in Oxford - 1928 - Clifford R Adams - National Geographic
Two young 1920s women - Belfast - 1928 - National Geographic - Clifford R Adams
1920s Flapper - National geographic- Neal P Davis
Two Flappers - Arizona - 1929 - National Geographic - Clifford r adams

Mexican woman - Brownsville Texas - National Geographic
Two 1920s women buying ice cream - Cornwall 1928 - National Geographic
Two german women - 1929 - Cologne - Wilhelm Tobien - National Geographic

1920s woman - Glouchester, mass - National Geographic
Women Archers - Austin Texas - 1928 - National Geographic

Woman - Isle of Wight - 1928 - National Geographic
Two 1920s women - Laredo Texas - Cliffors R Adams - National Geographic

 The last one is my favourtite - it's like a French master. And there's so much more over at National Geographic. Enjoy.
To get the 1920s Make-up look - visit Vintage Make-up Guides !

1920's Hairstyles - The Bob

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Louise Brooks - The Bob hairstyle - GlamourDaze

Colleen Moore - The Bob -1920's Hairstyle - GlamourDaze
Louise Brooks - The Bob Hairstyle - GlamourDaze
Colleen Moore - The bob hairstyle - Glamourdaze

As modelled by the imcomparable Louise Brooks and Colleen Moore
Below is one of the first references to the ' Bob' written by F.Scott Fitzgerald in a little
short story published in 1920.



Bernice stood on the curb and looked at the sign, Sevier Barber-Shop. It was a guillotine indeed, and the hangman was the first barber, who, attired in a white coat and smoking a cigarette, leaned nonchalantly against the first chair. He must have heard of her; he must have been waiting all week, smoking eternal cigarettes beside that portentous, too-often-mentioned first chair. Would they blindfold her? No, but they would tie a white cloth round her neck lest any of her blood--nonsense--hair--should get on her clothes.
"All right, Bernice," said Warren quickly.
With her chin in the air she crossed the sidewalk, pushed open the swinging screen-door, and giving not a glance to the uproarious, riotous row that occupied the waiting bench, went up to the first barber.
"I want you to bob my hair."
The first barber's mouth slid somewhat open. His cigarette dropped to the floor.
"Huh?"
"My hair--bob it!"
Refusing further preliminaries, Bernice took her seat on high. A man in the chair next to her turned on his side and gave her a glance, half lather, half amazement. One barber started and spoiled little Willy Schuneman's monthly haircut. Mr. O'Reilly in the last chair grunted and swore musically in ancient Gaelic as a razor bit into his cheek. Two bootblacks became wide-eyed and rushed for her feet. No, Bernice didn't care for a shine.
Outside a passer-by stopped and stared; a couple joined him; half a dozen small boys' noses sprang into life, flattened against the glass; and snatches of conversation borne on the summer breeze drifted in through the screen-door.
"Lookada long hair on a kid!"
"Where'd yuh get 'at stuff? 'At's a bearded lady he just finished shavin'."
But Bernice saw nothing, heard nothing. Her only living sense told her that this man in the white coat had removed one tortoise-shell comb and then another; that his fingers were fumbling clumsily with unfamiliar hairpins; that this hair, this wonderful hair of hers, was going--she would never again feel its long voluptuous pull as it hung in a dark-brown glory down her back. For a second she was near breaking down, and then the picture before her swam mechanically into her vision--Marjorie's mouth curling in a faint ironic smile as if to say:
"Give up and get down! You tried to buck me and I called your bluff. You see you haven't got a prayer."
And some last energy rose up in Bernice, for she clinched her hands under the white cloth, and there was a curious narrowing of her eyes that Marjorie remarked on to some one long afterward.
Twenty minutes later the barber swung her round to face the mirror, and she flinched at the full extent of the damage that had been wrought. Her hair was not curly, and now it lay in lank lifeless blocks on both sides of her suddenly pale face. It was ugly as sin--she had known it would be ugly as sin. Her face's chief charm had been a Madonna-like simplicity. Now that was gone and she was--well, frightfully mediocre--not stagy; only ridiculous, like a Greenwich Villager who had left her spectacles at home.
As she climbed down from the chair she tried to smile--failed miserably. She saw two of the girls exchange glances; noticed Marjorie's mouth curved in attenuated mockery--and that Warren's eyes were suddenly very cold.
"You see"--her words fell into an awkward pause--"I've done it."
"Yes, you've--done it," admitted Warren.